I finally finished the portrait project I've been working on. I took this "budget" job so that I could try out some techniques I wanted to work on. The budget was so low that I couldn't afford an assistant and therefore I needed to get the equipment level WAY down. So far down, that I could get everything except the light stands, into one pelican case. Since I'm historically a studio photographer that went on location shoots with most of his studio, I wanted to learn how the "other half" lived. That meant that I had to come up with a lighting kit made out of "on-camera" flashes. I first started out with three heads and then cut it down to three, and usually ended up using just one. I found that the key to working like this is to look for locations that worked for the composition AND the lighting. I learned quite a bit...
This was shot with a SB 800 on an umbrella (shot with 80-200 f2.8 on my Nikon D3)
Shhot with an SB 8000 on a large umbrella (shot with 80-200 f2.8)
Shot with an SB 800 with a large umbrella
I found that one of the hardest things to do was to keep the umbrella, head and stand from blowing over in the wind. It's hard to justify taking sand bags when you're attempting to fly as light as possible.... (shot with 28-70 f2.8)
This was shot available light only. Not too often it works out this way, but the light in this room was really nice. (28-70 mm 2.8 zoom)
This was shot with the SB 800 insde a medium box using my 85 1.4 lens
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